First posted September 2014
With the days becoming noticeably shorter and meteorologists once again reach for descriptions like “autumnal” to make “cold and wet” seem more acceptable, I took the opportunity to visit Broomhill Sculpture Gardens again before the summer came to an end.
Plenty of the sculptures that I photographed in my previous post were still on display here and I knew from several other visits to Broomhill that many of these are semi-permanent installations, giving them the feel of familiar old friends, aging gracefully amongst the trees and lush foliage of the beautiful woodland valley setting.
But there is always something new to see here and the gardens were at the time playing host to the National Sculpture Prize, displaying work by the 2014 finalists in the woods and wildflower meadow down by the river.
Walking up the winding drive from the visitors parking area, the entrance flanked by sleek curving steel forms…
…you encounter all manner of surprises, rearing above you from the steeply sloping banks or tucked away within the green alcove of a hedge.
Reaching the top of the hill, your first view as you round the final curve in the drive is this impressive gryphon, towering over the terrace in front of the hotel…
…where I sat for a few minutes, looking down over the valley, reading about the sculpture prize and enjoying a refreshing local cider in the late afternoon sun.
Making my way down the zig-zagging path through the wooded garden, I first encountered sharply stylised African influenced stone figures…
…juxtaposed with more abstract, modernist pieces, both on the ground and suspended in the branches overhead.
The path eventually leads down to the lake, the area around it dotted with more sculptures, peering out from the surrounding trees and the still water itself.
Following the meandering track back up through the woods, I couldn’t resist dropping in on the strange, post-apocalyptic world of the abandoned tennis court, an exhibit I am always drawn to when I come here and one that never fails to provide some striking images.
Then I made my way to the main display area for the prize finalists, on the way passing what looked like a yoga lesson, frozen in time.
Details of all the 2014 NSP finalists are included in the links at the top of this post, but here are a selection of some of my favourite pieces, starting with an oversized piece that reminded me of Alice in Wonderland, I can’t think why…
And I had to get one final shot of this piece, another of my personal favourites, the atmospheric Watchers, frozen in enigmatic contemplation amongst the dappled shade by the riverbank.
If you can get down there, I recommend that you visit the National Sculpture Prize exhibit at Broomhill, the voting ends soon and the winner will be announced in October.